When springtime comes round the corner, I have this little tradition of doing “spontaneous” outdoor portraits… it usually goes like this: days get longer, I start seeing the sun firsthand and not through an office window and I get location wanderlust. These searches always end up with somewhere I just got to shoot but due to the short lifespan of springtime locations, it must be executed in record time. Cue me doing the rounds of social media asking for
guinea pigs willing subjects, something I usually don’t like to do as I always dread what is going to pop up from my inbox.
This year was no different, but it sure was easier to organise as I had the perfect spot right on my doorstep: the garden in my apartment complex has three huge Forsythia (always have to Google the spelling on that one!) bushes and they were just about to go in to full bloom… I just needed to find the perfect girl to fill the tangerine yellow wig lying around my house from another shoot and got lucky on day one of my search when Miss Sorry volunteered.
Obligatory plug: Miss Sorry is also a fab photographer, so if you like tongue in cheek photos of lovely ladies with lots of tattoes and not that many clothes, be sure to check her out!
I also took the time to finally test properly the Lens Baby Composer I got for Christmas -yes, I took my sweet time, I know! It’s a nice trick lens if you like the soft focus effect and the mad blurring, but it takes a hell of a time to get used to and to focus properly!
After working so much on “serious” shoots where both the concept and the mood were solemn and composed, I wanted to have a bit of fun and experiment so I decided to combine two of my loves (hair and old school computer art) into a single project. So starting with a poppy colour palette, add 90ies era kitsch graphics (those have been making quite a big return into mainstream culture lately!) and a sprinkle of glitches to the girl with the softes hair ever and you have the recipe for “Glitch!”.
These got picked up by Dye Magazine and are featured in their latest issue.
Model: Valentina Tafferini
A little bit of background on how I went about making the graphic/glitchy part of these images. As an 8bit aficionado, I am naturally drawn to all things pixely but I particularly enjoy glitch art as it’s the punk rock of computer art: it’s all about destroying/corroding a pristine file, repurposing it in order to send a different message from what it was intended to originally.
There are plenty of online resources (such as this one) where you can simply enter a file and watch as it gets randomly glitched, but I prefer to make mine from scratch by opening the image code in text edit and effing it up big time… tons of fun in what you can enter (do not simply cut and move bits around, you also enter text or glitch the image several times around!) and the random element of what actally comes out is always a fresh point of inspiration to me.
The resulting images were then used for sampling (along with a series of channel mixes) so that I could pick and choose what I liked -because “random” is such a nice word but it clashes with my obsessive “I want that red pixel cluster to be just THERE!” method of work.
The second creature of my triptych was actually the last one I shot chronologically… but I posted “Wraith” at a time when I was experiencing creative setbacks and was both mentally and physically drained, so I find it fitting to showcase “Goddess” when things are slowly beginning to look up again.
I was looking to portray a kind of beauty that was classical in movement and posture but had somewhat of a feral quality: lucky for me, I knew just the girl… I shot lovely Sara in the past and she was the perfect fit!
Another major inspiration for this is the work of Italian painter Saturno Buttò: I’ve always loved his use of dramatic light and rich colour palettes, but I find even more interesting how his paintings have always a time dichotomy, showcasing modern concepts/feelings in a baroque framework.
Model: Sara Briar Rose
Horns & headdress: Resplendor Atelier
Sometime, I just need to take a break from “serious” projects (well, as serious as they can be with me!) and just have some fun with a friend, a couple of cups of tea and some picture snapping.
This time, lovely Valentina was my partner in crime… I met her first on set for Ricette Rock and we clicked immediately so when I got my hands on some stud-heavy couture from Videnoir I immediately thought of her as the ideal model for a cheeky metal-friendly pin up shoot.
I think that metal girls are as a general rule shot oversexualized, like centerfolds in skin magazines, rather than portrayed in a more personal way. I didn’t want to go down that road so despite having a lot of goods on display (because first of all I wanted to do pin up and secondly, who doesn’t like clevage?) I wanted to showcase more of the bubbly personality of Valentina rather than just her good looks.
It’s been a difficult, tiring period for me and the escapism that I usually seek elsewhere sneaked into my photography… an initial project of taking “just a couple of beauty shots” morphed along the way into something else entirely. When I finished editing, instead of cleancut glamour what was looking at me from the other side of the screen were three creatures from another time, more myths than women.
I am happy to start the new year with Wraith, the first instalment of the project born through the collaboration with make up artist Archa Make up as well as italian designers Videnoir and Resplendor Atelier.
Make-up: Archa Make up
A friend and fellow photographer needed a couple of hands to do hair for a shoot they had planned with some agency models. As I was free that weekend, I was more than happy to spend an afternoon in the old part of my hometown and while I was at it, I took a couple of natural light portraits of lovely Nastya and Gefen during downtimes.
I actually love shooting with natural light, but it’s incredibly difficult to have perfect weather the day of the shoot…. it seems it’s always raining on the weekend, and yet today is monday and there’s a lovely golden light. Murphy’s laws are harsh.
A little bit of mid-week eyecandy. Despite apparently continuing the Japanese inspired trend that my latest post started, these were shot quite some time before -the last from my daylong session with miss Cleo Viper before her leaving Italy.
Model: Cleo Viper
(with a special cameo of Sir Dante Balzac in the last photo)
Make up: Please Kill Anita